I’m sure you’ve all seen cartoons like this one before.
Right now, I’m in the fourth stage of this particular cartoon. I’ve been working on the same MG MS for about 2 years–not as long as some projects I know, but still, it’s a long time. It’s the first book in a trilogy, and right now I’m in a place where I feel the second book is better, but the first book is needed, but is the first book working and what do I do about that and what if it never gets published….etc.
All writers go through this and this is not my first rut with a project. The struggle for me right now is that I’ve read this MS so many times I can’t tell what or if anything is “wrong” with it. Every time I re-read it I find a chunk I think is boring or tedious, and I can’t tell if it’s because I’ve been reading my own work for 2 years or because it really is that boring and tedious.
This MS has been through my critique group and a few MS swaps. I’m always open to other people’s ideas and suggestions. If they find the same spots boring and tedious, then perfect, time to cut it out and replace with more action. I’ve also had people tell me what is not working and then I go back and “fix” the issue as best I can. The problem is, I can’t expect my MS swap people to keep re-reading the same book over and over, and I’m not sure I can afford to hire an editor on retainer!
I’m also at the point where I wonder how many MS swaps are too many. I’m swapping with someone after NaNoWriMo season, and I thought about sending them a different MS, but now I’m thinking I need at least one more pair of eyes to either confirm or deny my bleak thoughts about this one I’ve been picking at. I have made changes since my last swap so I know it won’t be a bad idea, now the question is how many more swaps until I feel confident enough to start querying again?
Long story short, ruts are hard. I know I’ll get out of it, it’s just a matter of me deciding when to push forward and get this thing done right or set it aside and work on something new. Come December I’m hoping to have a better sense of what I need to keep writing, whether it’s with this book or another one.
Thank you for reading my rant. We all struggle and I’d love to hear some success stories and positive words for frustrated little writers like me. 🙂
I was raised as an only child, and that combined with being the youngest grandchild in the family makes me sometimes want attention! Because of this I’m usually too eager to share my works in progress (WIP) with others. I enjoy being critiqued because a lot of the time there are large sections that people enjoy, and it makes me happy to hear that. (What writer doesn’t get all warm and fuzzy when someone likes their writing?) I’ve gotten better at being “selfish” with my WIP and waiting until I’m totally in love with the project before I open it up to my family or my critique group. However, for the first time in a long time, I’m nervous about critique.
I’m proud of this YA project, but for once I’m hesitant to get critique. I want this book to do well, and while I’m excited about my concept, I am battling with a lingering fear of rejection. I’ve been trying to get one of my MG books published and I’ve taken a break because of the rejections. Now that I have another WIP I think can succeed, I’m nervous others won’t feel the same way.
What if the drama feels forced?
What if my characters are not believable?
What if people like the concept but hate the writing?
Writing, like all art, takes courage. It’s risky letting others read your work, regardless if it’s family or a stranger I met on SCBWI. Family may be kind, but the people I let read my WIP are honest despite their bias. I can take critique, all of my novels have gone through MASSIVE overhauls because of the advice given by different people. The books always turn out better than they started. There will always be people who don’t like the book and that’s okay, but if everyone I show the book to sees that it’s not working then what do I do? For once, I’m having a hard time (as Stephen King so eloquently wrote) “murdering my darlings.”
In a few weeks I will have to let the outside world in. The MS has gone through 3 drafts, is likely as complete as I can make it on my own, and needs some other eyes on it. For now I’m still tinkering in case I catch a big problem before someone else does. I’m sharing this MS at the end of the month with my aunt who is also a writer, reader, and artist herself. I look forward to her critique, reminding myself that all my MSs are better after others read them…although a big part of me still wants to hold my darling close!
The past 6 weeks I have been looking for a new job. My current position ended unexpectedly, but my employers did give me plenty of time to search for a new position. However, finding time to write with the mental turmoil of job-loss and job-searching has been difficult.
There is a huge trend/stigma/insert-favorite-term-here that the suffering artist produces the best work. For me, the “suffering” writer is a basket case who can’t focus on reading a PB, never mind writing a novel. For me, my anxiety made it much harder to connect with my stories and characters. Even the characters in my depressed, emotional YA novel I avoided. Writing sad made me sad, and writing happy was impossible since I couldn’t find it myself.
My writing hiatus made me recognize that my anxiety was out of control, and I did find help. I’m not afraid or ashamed to say I have a therapist and I went back on my anti-anxiety medication. Many of my friends who are literary/visual/musical artists also struggle with mental illness and have found relief in reaching out. Asking for help doesn’t mean I was suicidal or crazy or so depressed I couldn’t move. For me, my meds help me deal with day-to-day anxiety and make working and enjoying my life easier. It’s like wearing glasses. Sure, I could wander around squinting, never drive, and be unable to read things farther than 2 feet away, but why would I do that if there’s a better solution?
This blog is turning into a plug for mental health awareness and I’m totally okay with that. As artists, we all function on different levels of anxiety and stress. Some stress is important. It keeps us working to make deadlines and push ourselves to be better writers/musicians/visual artists. However, if stress and anxiety is prohibiting you from making good art, something is wrong. For me, I do not know if I will be on my meds for the long-term (side effects are real and annoying and affect day-to-day life) but for this transition it has helped. I’m sleeping and eating again, and I’m writing. I’m still stressed because looking for work isn’t fun no matter who you are, but even if I’m editing a couple chapters a day it’s more than avoiding it all together.
Taking a break is valid and healthy for those of us who have been working a lot and need to not think for a while. Listen to yourself. It’s okay to ask for help from friends, family, doctors, and professionals. Artists don’t need to struggle to make beautiful, meaningful, important art. We can be happy. We should be happy.